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Incessant, the two notes of the kitchen
clock. The hum of appliances at rest.
Too early for the street sounds on our block.
The chair creaks a complaint. I take the first

careful sip of coffee. And Niko says, “Sweet
little bird,” from his covered cage. He wants
to greet the dawn. Not me. A workday, so I woke
to the phone’s bleat, to dark and chill and her

still gone. I wanted to stay in the warm,
strange scenes of dreams: on Rue Royale, a green
and purple mask; or, dodging heavy traffic,
a small gray cat I caught and calmed against

my heart—its frantic tick-tock winding down,
this clock that keeps best time without alarm.

Marisa P. Clark Marisa P. Clark is a queer writer whose prose and poetry appear or are forthcoming in "Shenandoah," "Cream City Review," "Nimrod," "Epiphany," "Foglifter," "Free State Review," "Rust + Moth," "Texas Review," "Sundog Lit," and elsewhere.

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More from Issue 5: Winter/Spring 2022

Fiction

Picture of Spring

by Adalena Kavanagh

Poetry

“Law of the Letter,” “My Wife Falls Asleep to Friends and It Streams All Night,” and “Quabbin Reservoir”

by Elizabeth Galoozis