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Give Me Shelter

I took a sublet on Marion Avenue for a month, not just because it was super charming and cozy, but because the signs pointed to a good thing. Marion is my mom’s name, and Angelino Heights has intrigued me since my first Halloween there in 2019.  When drawing en plein air there last year, I met some lovely folks and Saturday nights are exciting for this rev-head. It’s also super close to the number 4 bus line—the Santa Monica bus—that stops at random times at Sunset/Marion and then belts straight up Sunset. You might not have noticed my stop as the Metro 4 stop sign is dominated by the large, colorful Highway Gothic sign, urging you to avoid public transport and get on the 101. 

There’s no permanent shelter at my bus stop. I try to catch the bus to work early, to ensure I make it on time, and avoid the relentless summer sun. The buildings on the inbound side have been knocked down for a massive new development, although the digger sits idle every morning. The only shade is cast by the two trash cans, a bench, a pole, and the streetlamp. 

In the early mornings, if someone isn’t sleeping on the bus stop bench, I can sit in the shade. But by mid-morning, it’s a perilous situation to avoid the sun—I wedge myself between the pole and the curb—facing the oncoming traffic on Sunset. In the late afternoon, I stand awkwardly to fit within the sliver of thin shadow cast by the streetlight, or I huddle way too close to a rancid black trash can.

When the trash cans are open, they become ominous, wide-mouthed monsters—I’ve seen folks lean into them and fear they will be lost forever. Even with a mask on, that bin smells terrible, but I figure that’s better than skin cancer. After growing up under the hole in the ozone layer in New Zealand, and having had skin lesions removed, the last thing my body needs is more sun. 

Mondays are the worst. The taco stand has blown up and is bustling with queues five nights a week. Dodger weekends are so busy that by Monday morning, the sidewalk is oily enough to make me slip, and it smells like a grease trap getting emptied. The remnants of the food and garbage make the stop feel like a festival ground—the day after the festival. It’s a shame “It Never Rains in Southern California”: to clean the streets, water the plants, and provide some clouds for shelter.

Wendy Murray, 3:13PM Saturday 6 August 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 1:05PM Thursday 11 August 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 3:01PM Wednesday 3 August 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 12:56PM Thursday 28 July 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 3:45PM Friday 12 August 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 11:22AM Sunday 24 July 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 1:32PM Monday 1 August 2022, acrylic on museum board, 16 x 12cm
Wendy Murray, 2:30PM Saturday 30 July 2022, acrylic on museum board, 16 x 12cm

Wendy Murray was born in Aotearoa New Zealand and is a Los Angeles-based visual artist and arts educator whose work addresses social and political issues through drawing, poster making, workshops and public art works. Murray has exhibited in local, national, and international exhibitions including the incredible survey poster exhibition and catalogue "FEMINAE – Typographic Voices of Women at the Hoffmitz Milken Center for Typography" (USA). Murray’s works are held in collections including the National Gallery of Australia (AUS), Australian War Memorial (AUS), Centre for the Study of Political Graphics (USA), Colorado College Tutt Library Special Collection (USA) and the University of Sydney (AUS).

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