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Poetry

“Bay Area Rapid Transit,” “Prayer,” “The Power of Introverts,” and “The Bear”

Bay Area Rapid Transit

 

Nothing not natural. The snowfall

our heads release, the green rubbery earplugs

worn thin by a thin man, the map in its frame,

the screen a girl rouging her cheek uses for a mirror,

the rhino-faced youth singing off-tune a tune 

about singing off-tune, the chic boots of a woman who

stays up late reading in her clawfoot, her eyebrows

silver, her seatmate (me) emailing with his thumbs—

not a project I want but a life, a life

not only closure but compensation, a longing

I mean for the rose not to stand for beauty or truth

but just a rose, no more art—

a boy in an As hat, flat-brimmed, photographs

a wall whooshing by and thinks snow—

what snow? what revenant is this

digesting trains, languishers in the waning

of soul and speculation, what snow, he thinks, 

as our bodies in the tunnel of soul or no soul

speed by on filthy cushions, no snow

from nowhere, snow snowing again 

as our eyes distribute desire 

forever, Hello, middle ode 

of a soul in the now, in the silver streaking train

baying below a million gallons of bay

 

 

Prayer

 

Matins   nones   vespers   also begot
alarm clocks and surveillance
and so I sing dear abusive muses of the stopwatch and the cuckoo
               oh please if you would
untether me like animals on a mountainside
let me be Hesiod
tending his goat one second
scribbling proverbs and fables the next
even if sometimes the goat escapes
let the goat escape

 

 

The Power of Introverts

 

Morning itself became
the steady messages the rain tapped on the roof.
You and I were touching each other
with admiration for our shapes
that seem to say hello hello hello
in all but words like sap
swelling in a February maple. 

The newspaper had other messages.
A spate of pedestrian deaths,
leaks in the bridges,
pitchers and catchers
reporting for spring training,
a bestseller called Quiet
got a few lines of review—
The power of introverts
in a world that can’t stop talking
the economy (mythical) flagging
ink mixing on my fingertips
with coffee powder and stories
of powerful men somewhere
having their way again.

Our craving, you and I, for one another
has something in common
with wipers whipping across a windshield.
It wants to see in the storm
one thing clearly.

 

 

The Bear

 

Toss the compost
water the violets
wash the sink
scrub the tub
toss the trash
print the ticket
pack for cold and pack for heat
make the bed
wash the sheets

(in the walls of the mind,
clichés alive like termites—
cookie crumbling
dust clearing
the bear going over the mountain… )

and then I was out the door as they say
with my papers and my language
and my inquiry into love
in a body I’ve chained
always to lists

which is a word for lust and for listen
but also for limit

Jesse Nathan is the author of Eggtooth, a debut collection of poems, which won won the 2024 New Writers Award and the Housatonic Poetry Prize, and was a finalist for the Golden Poppy, the Nossrat Yassini Prize, and the Northern California Book Award. His poems have appeared in the New Republic, the New York Review of Books, The Nation, The Believer, and The Yale Review. His poem "Dame's Rocket" was published in the latest edition of the Best American Poetry. Nathan lives in the Bay Area, edits for McSweeney's, and teaches literature at UC Berkeley.

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