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Poetry

“Sarah Palmer at the Elk’s Point #9,” and “‘LA’s Famously Bizarre Apartments Could Never Be Built Today’”

Sarah Palmer at the Elk’s Point #9

            (after Twin Peaks: The Return, episode 14, 2017)

  

Some will say it’s poor form to order Bloody Marys
at night, but it’s poorer form to saddle up to me at the bar
and try to hook up, don’t you think? I told you to go away. 

I said please. The “Truck You” t-shirt you’re wearing reminds
me of last June when I refused to get out of a minivan outside
Joplin, MO, but I can tell you this is a country of roads and 

truckers and so few faces. But what did I know? I held griefs
close, every parenting misstep, every barroom refusal, every
no thank you but some men can’t hear such a solid answer. 

Look, maybe I seem lost, easy, but are you sure you want
to mess with a woman with this much shatter and trespass?
I think most any mother would tell you that when I stand up 

from my bar stool, turn to you slowly, tear off my once
resplendent face and ask Do you really want to fuck with this?
that I just wanted my Bloody Mary (poor form), and not to 

reveal my daughter’s sweetest smile inside the darkness, not
to rip your throat out, until you are as muffled as I have been,
and I have been this, born not of ferocity, but of heartbreak.

 

 

“LA’s Famously Bizarre Apartments Could Never Be Built Today”

SF Gate, November 2024

 

I didn’t recognize them until I left them
      then let decades pass then took another look.
I spent my formative years in those
      built-on-stilts quirks, those symbols of the
city of Los Angeles we resisted with out-
      of-state license plates until we finally stopped
trying, gave up walking three blocks to the
      drugstore because driving somehow made 

more sense in the relentless sunshine—more
      ease please! I used to take my rainbow roller
skates out front to the tuck-under car park
      and while my mother chatted on the phone
to New York City, upstairs in our avocado green-
      flecked kitchen, I’d skate up and down the slight
slope which felt exhilarating and risky because
      I was small, curious, and so quiet that the man 

who flashed his dick at me from the radiant
      white of the sidewalk (and then nodded
approvingly at the both of us) knew I’d never say
      anything. And here I am 45 years later saying it
all, saying I, too, felt that aroused by the
      architecture, popular and populist, and titled
in space age script The Riviera or The Castle
      or The Rocket, because inside it’s just a chasm

and I tried for 13 years to fill it, to outrun
      any future that would have me, this future
like a stylized and far-out atom bomb and I
      learned to carry the dingbat inside of me to
the other coast, where my brain stops working right
      and the doctor looks over my MRI scan and finds
The Errand, The Roller Skate, The Rainbow, The
      Flasher, The Casualty, The Legacy, The Debris.

Lynn Melnick is the author of three poetry collections, including, most recently, Refusenik, winner of the Julie Suk Award and a finalist for the National Jewish Book Award. She is also the author of the memoir, I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton, out in paperback with Spiegel & Grau. Her poems have appeared in The New Yorker, Poetry, American Poetry Review, New Republic, and A Public Space. She teaches at Princeton University and Columbia University, and lives in Brooklyn with her family. You can find her online at https://www.lynnmelnick.com.

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Interviews

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by Guerrilla Girls, Jackie DesForges

Essays/Nonfiction

Cancelled Confessions (or Disavowells), Part II

by Claude Cahun