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Essays/Nonfiction

Cancelled Confessions (or Disavowals), Part 1

Editor’s note: In this issue, we’re thrilled to publish one excerpt (in two parts) from the newly revised translation of Cancelled Confessions (or Disavowals) by the late artist Claude Cahun. Originally published in 1930 by anti-fascist, avant-garde publisher Éditions du Carrefour in Paris as Aveux non Avenus, this book is part memoir, part manifesto, and full artist statement. Rather than examining the self, as a traditional memoir might, Cahun questions identity, selfhood, and the many masks we wear in order to exist in contemporary society. Though the book was written almost 100 years ago, Cahun’s reflections, rage, and sense of humor remain almost eerily prescient in our current political and social climate. This version of the book is translated from the French by Susan de Muth.

We will share the first half of section “V” this week, and the second half next week.

Next week, we’ll publish part two of this section. In the meantime, you can find copies of the book now for sale from Siglio Press.

Claude Cahun was a writer, artist and anti-fascist activist, associated with the Surrealists, obscure for decades. Cahun’s shape-shifting, gender-bending, “self” portraits—made in collaboration with Marcel Moore (née Suzanne Malherbe, aka l’autre moi, “the other me”)—feature Cahun in androgynous garb with shaved head, or elaborately costumed and adorned with makeup or masks, often with mirrors or doubling, always multiplying the “I.” These are the most recognizable works in a highly subversive, multiform oeuvre that includes Aveux non Avenus (Cancelled Confessions) as well as more untranslated writings. Now embraced as a pioneer of queer and feminist expression and heralded for a daring and inventive, years-long resistance to the Naz

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